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POEM A DAY 2009 ravenstalebooks.com home | site map | reviews | bookstore travelers | book awards

April is National Poetry Month and we always celebrated in our stores and online with our POEM A DAY program. Each and every customer in the store got a printed copy of the day's poem and every one on our email list had the poem emailed their way. We shared some of our favorite poems this way from 2000 to when we closed our doors for the last time. All Poetry Books were 10% OFF for the entire month as well.
Enjoy the poems.

below are the poems from April 16 - 30

click HERE for poems from April 1 to 15

day sixteen

Iron Train

The train stopped at a little station
and for a moment stood absolutely still.
The door slammed, gravel crunched underfoot,
someone said a goodbye forever,

a glove dropped, the sun dimmed,
the doors slammed again, even louder,
and the iron train set off slowly
and vanished in the fog like the nineteenth century.

Adam Zagajewski

day seventeen

The Terrapin

The terrapin and his house are one.
Though he may go, he's never gone.

He's housed within, from nose to toe:
A door, a floor, and no window.

There's little room; the light is dim;
His furniture is only him.

He doesn't speak what he thinks about
here no guest comes, a thought's a shout.

He pokes along; he's in no haste:
He has no map and no suitcase;

He has no worries and no woes,
For where he is is where he goes.

Ponder this wonder under his dome,
Who, wandering, is always home.

Wendell Berry

day eighteen

The Orange

At lunchtime I bought a huge orange-
The size of it made us all laugh.
I peeled it and shared it with Robert and Dave-
They got quarters and I had a half.

And that orange, it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park.
This is peace and contentment. It's new.

The rest of the day was quite easy
I did all the jobs on my list
And enjoyed them and had some time over.
I love you. I'm glad I exist.

Wendy Cope

day nineteen

Here

Here I am in the garden laughing
an old woman with heavy breasts
and a nicely mapped face

how did this happen
well that's who I wanted to be

at last a woman
in the old style sitting
stout thighs apart under
a big skirt grandchild sliding
on off my lap a pleasant
summer perspiration

that's my old man across the yard
he's talking to the meter reader
he's telling him the world's sad story
how electricity is oil or uranium
and so forth I tell my grandson
run over to your grandpa ask him
to sit beside me for a minute I
am suddenly exhausted by my desire
to kiss his sweet explaining lips


　
Grace Paley

day twenty

Litany

You are the bread and the knife,
The crystal goblet and the wine.
              - Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass,
and the burning wheel of the sun.
You are the white apron of the baker
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you certainly not the pine-scented air.

There is no way you are the pine-scented air.
It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.

And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.

It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.

I also happen to be the shooting star,
the evening paper blowing down an alley,
and the basket of chestnuts on the kitchen table.

I am also the moon in the trees
and the blind woman's teacup.
But don't worry, I am not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and-somehow-
        the wine.

Billy Collins

day twenty-one - two poems for the price of one

An Apology

Forgive me
for backing over
and smashing
your red wheelbarrow.

It was raining
and the rear wiper
does not work on
my new plum-colored SUV.

I am also sorry
about the white
chickens.

F.J. Bergmann

___________ _____ ________________ __________________

Mrs Darwin

7 April 1852.
Went to the Zoo.
I said to him-
Something about that Chimpanzee over there
            reminds me of you.

Carol Ann Duffy

day twenty-two

I Stop Writing the Poem
　
to fold the clothes. No matter who lives
or who dies, I'm still a woman.
I'll always have plenty to do.
I bring the arms of his shirt 
together. Nothing can stop
our tenderness. I'll get back
to the poem. I'll get back to being
a woman. But for now
there's a shirt, a giant shirt
in my hands, and somewhere a small girl
standing next to her mother
watching to see how it's done.


　
Tess Gallagher

day twenty-three

December Moon

Before going to bed
After a fall of snow
I look out on the field
Shining there in the moonlight
So calm, untouched and white
Snow silence fills my head
After I leave the window.

Hours later near dawn
When I look down again
The whole landscape has changed
The perfect surface gone
Criss-crossed and written on
Where the wild creatures ranged
While the moon rose and shone.

Why did my dog not bark?
Why did I hear no sound
There on the snow-locked ground
In the tumultuous dark?

How much can come, how much can go
When the December moon is bright,
What worlds of play we'll never know
Sleeping away the cold white night
After a fall of snow.

May Sarton

day twenty-four

What I Want Is

What I want is
Enough money

To have what I want
What I want is

My own hill
And beneath that hill

A pond
In the pond a lazy

Bass or two
And duck feathers

Resting on the mud
Of the shore

Between the hill
And mud a patch

Of grass where I
Can lie and count

My seven trees
My seven clouds

And count the coyotes
Coming down the hill

To drink
Coyote 1 Coyote 2

C.G. Hanzlicek

day twenty-five

Where He Found Himself

The new man unfolded a map and pointed
to a dark spot on it. “See, that’s how 
far away I feel right all the time, right here,
among all of you,” he said.
    “Yes,” John the gentle mule replied,
“alienation is clearly your happiness.”
But the group leader interrupted,
“Now, now, let’s hear him out,
let’s try to be fair.” The new man felt
the familiar comfort of everyone against him.
     He went on about stupidities
of love, life itself as one long foreclosure,
until another man said, “I was a hog,
a terrible hog, and now I’m a llama.”
To which another added, “And me, I was a wolf.
Now children walk up to me, unafraid.”
     The group leader asked the new man,
“What kind of animal have you been?”
“A rat that wants to remain a rat,” he said
and the group began to soften
as they remembered their own early days,
the pain before the transformation.


Stephen Dunn

day twenty-six

The Vacation

Once there was a man who filmed his vacation.
He went flying down the river in his boat
with his video camera to his eye, making
a moving picture of the moving river
upon which his sleek boat moved swiftly
towards the end of his vacation. He showed
his vacation to his camera, which pictured it,
preserving it forever: the river, the trees,
the sky, the light, the bow of his rushing boat
behind which he stood with his camera
preserving his vacation even as he was having it
so that after he had had it he would still
have it. It would be there. With a flick
of a switch, there it would be. But he
would not be in it. He would never be in it.

Wendell Berry

day twenty-seven

Advice to Writers

Even if it keeps you up all night,
wash down the walls and scrub the floor
of your study before composing a syllable.

Clean the place as if the Pope were on his way.
Spotlessness is the niece of inspiration.

The more you clean, the more brilliant
your writing will be, so do not hesitate to take
to the open fields to scour the undersides
of rocks or swab in the dark forest
upper branches, nests full of eggs.

When you find your way back home
and stow the sponges and brushes under the sink,
you will behold in the light of dawn
the immaculate altar of your desk,
a clean surface in the middle of a clean world.

From a small vase, sparkling blue, lift
a yellow pencil, the sharpest of the bouquet,
and cover pages with tiny sentences
like long rows of devoted ants
that followed you in from the woods.
 
 ... and here's a BONUS BILLY

No Time

In a rush this weekday morning,
I tap the horn as I speed past the cemetery
where my parents are buried
side by side under a smooth slab of granite.

Then, all day long, I think of him rising up
to give me that look
of knowing disapproval
while my mother calmly tells him to lie back down


 
Billy Collins

day twenty-eight

Hope
 
It hovers in dark corners
before the lights are turned on,
     it shakes sleep from its eyes
     and drops from mushroom gills,
          it explodes in the starry heads
          of dandelions turned sages,
               it sticks to the wings of green angels
               that sails from the tops of maples.

It sprouts in each occluded eye
of the many-eyed potato,
     it lives in each earthworm segment
     surviving cruelty,
         it is the motion that runs
         from the eyes to the tail of a dog,
               it is the mouth that inflates the lungs
               of the child that has just been born.

It is the singular gift
we cannot destroy in ourselves,
the argument that refutes death,
the genius that invents the future,
all we know of God.


It is the serum which makes us swear
not to betray one another;
it is this poem, trying to speak.
 

Lisel Mueller

day twenty-nine

Writing on Not Writing

I can feel my ship about to come in.
A white ship in a snowstorm
moving in.

The ship is made of gulls
huddled together
in the shape of a ship.

When it arrives, they will fly out into the storm,
leaving space inside it
clear as reason.

I can tell there's going to be a blizzard
of being somewhere else
any minute

because of time's noise eating itself up
that is the noise of listening
that looks like a seething, florid whiteout of wings.

Jack Myers

The Raven

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
''Tis some visitor,' I muttered, 'tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
''Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more, 'Presently my soul grew stronger; hesitating then no longer,

'Sir,' said I, 'or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, 'Lenore!'
This I whispered, and an echo murmured back the word, 'Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
'Surely,' said I, 'surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
'Though thy crest be shorn and shaven, thou,' I said, 'art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, 'Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as 'Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered 'Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, 'Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
'Doubtless,' said I, 'what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking 'Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
'Wretch,' I cried, 'thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, 'Nevermore.'

Prophet!' said I, 'thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, 'Nevermore.

''Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
'Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, 'Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!